THEATER SECTION; Honoring Mom (and Molière) With 'Imagining the Imaginary Invalid
By ALEXIS SOLOSKI Jan 7th, 2016
THEATER SECTION; Still Imagining the Imaginary with Ruth Maleczech
By Matthew Paul Olmos December 9th, 2015
NEW YORK TIMES: THEATER REVIEW; James Joyce's Daughter, Scars and All By NEIL GENZLINGER Published: April 25, 2003
"...Clove Galilee is a young Lucia, frustrated in love, fighting a losing battle with schizophrenia, feeling the limitations of being the child of a famous writer.
...certainly in ''Cara Lucia'' Mabou Mines also enjoys experimenting with language and augmenting it with well-matched music by Carter Burwell and assorted projections and choreography. Some of it is quite moving, like a moment in which the old and the young Lucia dance in a blue light. And the fade-out that closes this odd and oddly compelling work is subtle and beautiful."
NEW YORK TIMES:THEATER REVIEW; Tin Tin, a Rhino, Meets a Monkey, and ... By D. J. R. BRUCKNER Published: April 12, 2000
"...Not that Ms. Galilee will ever be upstaged by mere music; in her lines and even in songs, whenever she can stammer a ''who'' or a ''what'' in an exaggerated New York accent, she produces a chattering so like a monkey's that everything stops till the audience gets itself back together....
Everyone involved in ''Animal Magnetism'' -- from Eve Beglarian, the composer, to Manuel Lutgenhorst and David Overcamp, the lighting designers, to Judson Wright, the animator, to the six people in the wings who keep Tin Tin and Cherry aloft -- is in top form, and to be among them and their work for even a short time is a rich experience."